This scene was painted from pictures I took while hiking at Enchanted Rock State Park. I took artistic license with the background and also changed the scene from winter to a spring setting.
This is another made up scene of the Texas Hill Country. I usually start these with a small thumbnail sketch but other times I just start painting, which is how this scene came to life.
This scene is from Black Gap Wildlife Management area just east of Big Bend National Park.
After being out of work since February I just started a new job this last Monday. For sure a double edge sword. I needed to work but my daily commute has been about 1.5 hours each way leaving me little time to paint during the week. With the shorter days and the sun going down so early, I find it difficult to acclimate to painting at night. Hopefully I can adjust and get more painting in.
I have a commission piece of Peonies to paint for a collector so I thought I would do a few studies before I paint a larger piece. This being the first, will be the smallest and I will work larger each time. I have painted them before but it has been a while and I need to familiarize myself with them again. I think it would be cost prohibitive to attempt to locate real Peonies if it is even possible at this time of year but I found some silk ones at a nearby craft store and set them near my easel to paint directly from "fake" life.
Another made up scene, I fought this piece for a while, painting, then scraping then repainting until finally it was at least temporarily in my good graces. So here it is before I scrape it again. Going out to paint outside, that will alleviate the made up torture for a while and replace that with sun, mosquitos and gawkers.
I used the previously done smaller version of the same titled painting as a study for this piece. It originated as a thumbnail, then a finished 6"x8" early this year and now this 9"x12" version.
The Background Hill was bothering me, it just called for to much attention, so I pushed it back and removed some of the detail. This is the revised painting.
Oil on panel, 11"x14" I used a photo from around Bandera for this piece but I altered it quite a bit.
I did this painting in January of this year but nearly ruined it in a rush to finish it. It has been sitting in the bad corner for a while and I finally decided to fix it or trash it. It still has some issues but is far better than it was. I am still having problems photographing anything this large. I just cant keep glare off my canvases.
Oil on panel, 8"x10" This is another scene from north of Fredericksburg near Enchanted Rock State Park. My intent was to keep this piece pretty impressionistic. I wanted no trivial details.
I found this scene in early spring between Fredericksburg and Enchanted Rock State Park. The creek was no longer flowing and had a few isolated pools scattered along it's path.
This piece is similar to "Afternoon Light". Almost a mirror image but I placed this tree on a hillside and Hit the top of the tree with direct light. I witnessed lighting like this the other day in the neighborhood. The tree tops were glowing while very cool greens were in the shadows below the sunlight. It only lasted for a few brief minutes then it was gone. I made mental notes of the colors and how I would mix them. Not quite plein air painting but this is the kind of mental work John Carlson was famous for.
Oil on panel, 11"x14" Another scene from near Bandera, Texas. I almost divided this canvas in half with the bottom of the tree line. I think I kept it just off center enough to work but it is dangerously close.
This view of Castalon Peak is from the Tuff Canyon Trail. Castalon Peak and Tuff Canyon are accessible from the Ross Maxwell Scenic Road in Big Bend National Park.
This is a scene from memory of areas around Bandera, Texas. I started this painting with the intention of using no brush smaller than a number 8 but could not keep the number 5 out of my hands. I have to keep telling myself: try to keep it simple, use a big brush and paint shapes, not objects.
This scene is from a photo I took while in Colorado this summer. I was there taking an outdoor workshop with George Strickland. After the workshop was complete I had a full day to drive around and paint on my own. I believe this scene to be near Basalt or Aspen on the way to the Maroon Bells. I have photographed this piece several times and just haven't been able to get a good picture of it. There is a constant glare on the dark pine trees and the trees on the far right side are almost blown out in the photo. The actual painting looks much nicer than my posted image.
This is a scene I have repainted a couple times on this canvas panel. It was done from a photo taken out the window of a car I was passenger in as the car was speeding along the highway. The entire foreground was blurred out but the background mountains and clouds were in focus and were my purpose for taking the photo.
This scene is from Dagger Flats in Big Bend National Park. The area is known for its' proliferation of Faxon Yucca. Occasionally they all bloom simultaneously and cover the horizon with magnificent aromatic flowers. They attract bees, humming birds and a multitude of insect varieties. Dagger Flats is off the beaten trail in the north east portion of the park, rarely visited, when the Faxon bloom it is a jewel to behold.
Another springtime scene with bluebonnets. I tried keeping the bluebonnets rather subdued and making the focus the large Oak tree being cropped off at the top of the painting. This was something that began as a thumbnail sketch and progressed to a finished painting. It might work nicely as a much larger piece.
This scene is on the Post Road, south of Marathon, Texas. I think there is less vibrant color in the landscape during summer than any other time of year. Spring and fall are full of vibrant color, winter has so many beautiful warm grays and rich color but summer color often appears tired and worn.